Book Reviews
-
The Hunting Party
Title: The Hunting Party
Author: Lucy Foley
Genre: Mystery/Psychological Thriller
Published: 2018
Obtained: Amazon
A group of friends meet for the new year, as they do every year since they graduated from school. This time, the location is at a remote lodge in the Scottish highlands. They become snowed in following a blizzard. As the snow builds up around them, so does the tension as old regrets and secrets come to light. One of the friends winds up dead and it’s obvious that it must be one of the individuals staying in the lodge. But who?
I was so looking forward to this read, after reading the short synopsis about it. The story takes place in the Scottish Highlands, involves a mysterious death among friends and had what was, overall, a super creepy premise. I was sorely disappointed, unfortunately. Lucy Foley has a way with words, her writing was strong. I felt unattached to the characters as they were lacking depth. I was disappointed that there was not more focus on the amazing setting and I found the mystery to be lacking of vitality.
Scotland is place near and dear to my heart. I’ve been twice having strong family ties to the country. From personal experience, I can sincerely state that the landscape is some of the most beautiful country I’ve ever seen—rich in colors, fog and mist and rolling hills in shades of green I didn’t even know existed until I saw them with my own eyes. Perhaps I hyped this all up in my own mind, but there was none of this really in the book. The characters were from London, so I guess I was expecting the highlands to be a major focal point. I honestly forgot about halfway through that the book was taking place in Scotland, as the writing didn’t transport me there.
The characters were relatively vapid. I felt no real connection to anyone—I didn’t root for anyone. Granted, there were all significantly flawed in regards to their history and personalities (nobody cares for perfect characters). But, I just didn’t feel any pull towards any of them, and sometimes got the men confused. As the mystery unfolded, I predicted a lot of the outcomes and wasn’t really blown away by anyone’s big secrets.
The plot was extremely similar to Ruth Ware’s In A Dark, Dark Wood. Several acquaintances hulled up in a remote location where a mysterious death occurs and everyone is suspect. It played out similarly, though not exact. But, the “big reveal” was flat and anti-climatic. I was on the edge of my seat for a while, but that didn’t last very long. I felt like I had read this story before, and when the ending was slightly different I was left feeling unsatisfied.
Lucy Foley can turn a phrase quite well. Her book consisted of really beautiful writing. Her mystery was pretty well crafted and didn’t have any major plot holes or gaps that I could spot. The problem for me was that the writing seemed to tell me most things instead of showing me or leaving some of it up to the imagination. There was a lot of potential for a really great story, it just lacked some luster overall in the build up of the mystery. Overall, I gave this book a 2 out of 5 stars. While I appreciated her writing and style, I was disappointed in the lack of character depth, overall setting and mystery. I recommend sipping something dark and dry to pair with the dry, and sometimes terrible, personalities of the characters and the mystery surrounding them. I enjoyed a malbec called Tall Dark Stranger, which I thought went well with the whodunnit-feel of this book. It contains a strong alcohol content of 12.5%, which helped me digest the unfavorable aspects of the book.
Rating: 2 out of 5 stars
Wine: Tall Dark Stranger Malbec 2017
Snag your own copy at Amazon
-
Little Black Lies
Title: Little Black Lies
Author: Sharon Bolton
Genre: Mystery/Psychological Thriller
Published: 2015
Obtained: Amazon
After another child goes missing on the Falkland Islands, Catrin finds it hard to empathize, as she’s still wrapped up in the accidental deaths of her own sons. But, as she and her ex-lover, Callum, begin to assist in the search, dark secrets begin to emerge between them and the other islanders (including her ex bestfriend, Rachel). After the third child goes missing, the characters must face the fact that it’s hard to chalk the missing kids up to coincidence. Is there a villian living among them?
Where do I begin? This is the most well-constructred mystery novel I have read to date. The characters are well-crafted and complex. The plot is both thrilling and dramatic. Sharon Bolton’s writing is rich and vivid; her ability to set a scene and build suspense is fantasic. I read this book within 48 hours and every time I had to set it down was torture.
Little Black Lies is told from the view points of three protagonists. The story begins with Catrin, a recluse woman who lost both of her children in an accident a few years back; Catrin is finding it hard to emotionally invest in the current situation of another missing child—the third missing child, in fact, since her own sons died. Catrin’s voice is dark, sad and, at times, bitter. The second part of the story is told from the viewpoint of Catrin’s ex-lover, Callum. A war veteran who struggles with PTSD, Callum’s story line is definitely more emotional than Catrin’s. The final third of the story is told through the eyes of Rachel, Catrin’s ex-bestfriend. Rachel has her own dark history and while I found it difficult to sympathize with her initially, by the end of her story I had a slightly different perspective. Each character offers a different angle at which to view the missing boys scenario, along with differing understandings of the past. Bolton provides the opportunity to perceive the plot from differnet points of view, which makes the mystery all the more difficult to figure out!
I love a good mystery. The biggest disappointment when reading a mystery is being able to predict the ending too early in the story. Black Little Lies did not lead to this situation…at all. Everytime I thought I had it figured out—BAM—another twist! This happened, literally, until the final page of the novel. I can’t remember the last time I was completely blown away (and blown off course several times) by a mystery novel. That alone should be motiviating you enough to go buy this book! The twists and turns are dizzying.
Bolton sure can set a dramatic scene. The opening scene with Catrin alone at night in the middle of the sea had me captivated from the start. It was compelling to see the actions and individualism of characters through more than one viewpoint…not to mention, she does each character’s arch great justice. Her writing is dynamic; Bolton transports the reader to the Falkland Islands and evokes the tension and, at times, hysteria of the characters. Bolton writes in such a way that the reader cannot stop thinking about the story, even after he/she sets the book down.
Seriously, I cannot think of enough fine things to say about Little Black Lies and the author, Sharon Bolton. I was struggling to find a really engaging read when this one came recommended by my best friend. I am so glad I took her up on the suggestion because it truly did not disappoint. The characters, plot and overall style was enticing and thrilling with a completely gratifying ending. I am giving Little Black Lies 5 out of 5 stars and I highly recommend it to mystery and thriller fans—or to anyone who loves a well-built, highly engrossing story. I enjoyed sipping a good red wine with this read; I suggest Hope’s End Red Blend 2016. Interestingly, I selected this wine on a whim, but it did pair surprisingly well with the hopelessness felt in the main character, Catrin; the label also uses the words “dark side” to describe the wine, which I feel pairs well with the ability Bolton exhibits to transport the reader to the bleak setting of the book. The alcohol content (13.5%) does help mullify the heavy content as the reader digests it all. If you’re looking for an excellent page-turner, I highly recommend picking up this awesome piece of fiction!
Rating: 5/5
Wine Pairing: Hope’s End Red Blend 2016
Snag a copy at Amazon
-
In a Dark Dark Wood
Title: In a Dark Dark Wood
Author: Ruth Ware
Genre: Mystery/Psychological Thriller
Published: 2015
Obtained: N/A (Unknown)
Nora is a hermit writer, isolated from of the outside world with the exception of her daily runs. One day, she is shocked to receive an invitation to her old friend, Clare’s, hen party. Making a pact with her other old friend, Nina, she attends the celebration reluctantly. The hen party weekend is spent in a glass house in the woods where the characters lives intertwine and Nora tries to solve why she has even been invited after all of this time. The tension builds with the weaving of past and present storylines, winding down until the time Nora will have to face the answers to her questions.
In a Dark Dark Wood was an excellent page turner! It was by far the best of Ruth Ware’s books that I have read. It wasn’t as “terrifying” as it was marketed to be, but I found it suspenseful and well-planned in regards to how much information is given to the reader at one time. It had a very similar feel to The Woman in Cabin 10 in terms of the claustrophobia and the intensity built from the feeling of missing pieces and tension between characters who are trapped in small quarters. The mysterious pasts of old friends was familiar to the one we see in The Lying Game, but distinctly better orchestrated In a Dark Dark Wood.
Initially, I had reservations about the main character, Nora. She was extremely private and isolated from the world; as a writer, she primarily worked from home and only ventured out of the house to go running. Her life is altered forever when she receives an invitation to a bachelorette party for an old friend, Clare. She hasn’t seen or spoken to Clare in years since she left school. Though confused and struggling with anxiety about attending the party, she makes a pact to attend with her other old friend, Nina. Nora came off a little obnoxious to me at first, as a girl who just can’t get over old relationships and conflicts. But by the end of the novel, I didn’t feel so critical of her.
The tension in the plot builds as the bachelorette party (or “hen” party, as Ware calls it) unfolds. The Maid of Honor is a hysterical, want-to-be twin of the bride-to-be, Clare. Clare is more complex, demonstrating both roles as a caring friend and also someone more manipulative. Tom is the only man present, a gay playwright who enjoys stirring the pot just as much as Nina. Melanie is also present, an old friend of Clare’s, and also the only mother in the bunch. The characters were fairly well developed—at least enough to carry the reader through the plot. Nora makes for an unreliable narrator in the present plot line (which intervenes with the past story line of the hen party). She has suffered some injuries during the unraveling party storyline and doesn’t have clear, trustworthy memories on which to depend. While the idea of the unreliable female narrator really bothered me in Ware’s other book, The Woman in Cabin 10, it was primarily because of the character’s clichéd reliance on alcohol. Nora, on the other hand, didn’t quite fit in this category, and I found the idea of her being unreliable due to her head injuries more believable and less annoyingly over-used. Nora initially irritated me not only because of her inability to move on from her ex, but also because of how she allowed that break-up to dictate the rest of her life. However, near the end of the book, once it’s revealed what she was really hiding, it led me to feel sorry for her with a little more compassion. Nora’s character arc moved in a way that led to me to start to like her in the second half of the book.
The structure of the novel is strong. I enjoyed how the past and present weaved together; Ware blends the plot lines nicely. I also enjoyed the slow build of tension between the characters trapped in the house. Each one seems to have their own personal drama and secrets to which the reader isn’t always privy.
This wasn’t as complex or frightening as I anticipated. It was, however, suspenseful and fun to read. I figured out the ending prior to the big reveal, but I was thrown off course a couple of times by the different actions of the characters in the timeline of events. I read this book while on a plane and it had me engrossed through its entirety. I recommend this book if you enjoy a good mystery—I don’t know if I consider it as a thriller, but it’s full of tension and suspense. It also isn’t a challenging read having only a few characters and physical settings in the story; the mystery lies in the secrets the individuals hide from each other and their puzzling motives behind various actions/decisions. I am giving this book a 3.5/5; overall, I really enjoyed reading it and it had me on the edge of my seat. It isn’t particularly inticrate and sometimes the characters are a little unbelievable or unconvincing. They move the story foward, but they don’t always add to the plot in any exciting way. I recommend Paranoia Pinot Grigio 2017 to sip while you read this novel. I selected this bottle simply because of the name and the art on the lable; I wanted to pair this read with a wine that was both crisp and light to balance out the deeper, mysterious content of the book. This pinot grigio certainly paired well with the paranoia and tension in A Dark Dark Wood.
Rating: 3.5/5
Wine: Paranoia Pinot Grigio 2017
Snag a copy at Amazon
-
The Next Person You Meet in Heaven
Title: The Next Person You Meet in Heaven
Author: Mitch Albom
Genre: Fiction/Psychological Fiction
Published: 2018
Obtained: Amazon
In The Five People You Meet in Heaven, Albom’s prequel to this novel, we met Eddie. Eddie was an elderly war veteran who died saving a child at a pier; Albom took the reader along on Eddie’s journey to Heaven where he met five people who helped him understand his purpose in life. In the sequel, The Next Person You Meet in Heaven, we are introduced to the child Eddie saved, Annie. Annie’s life was forever changed by the accident on the pier that took Eddie’s life; after tragedy strikes again, Annie ventures to heaven to meet her own five individuals who help her find the meaning of her time on Earth. Full of emotional and profound life lessons, we learn that all lives are connected and that each life is significant.
This is the sequel to The Five People You Meet in Heaven—which is one of my favorite books of all time. Albom’s second installment does not disappoint. The opening of The Next Person You Meet in Heaven was much more difficult for me to get through. Eddie’s death in the first novel was horrible, but he was also an elderly man who died trying to protect a child. In this book, we read about Annie, the little girl Eddie saved at the pier. Annie is a young newlywed; as the premise of the story is about her journey through heaven, it was hard to read the opening chapters that counted down her final hours. Perhaps being near Annie’s age and also recently married, I found her storyline comparable (in some ways) to my own life and, therefore, found it more difficult to digest.
Similar to its predecessor, The Next Person You Meet in Heaven follows a similar plot with the main character, Annie, meeting five people in heaven who help her understand her purpose in life. I think what readers will find immediately intriguing is the underlying theme of the novel—that each person serves a purpose on Earth, even if we don’t understand it until after our life is over. It’s one of the great questions of the world, isn’t it? We’re constantly trying to figure out our life’s meaning…trying to determine if everything happens for a reason or if we’re all just drifting about aimlessly. As someone who was not raised religiously, I can say that The Five People You Meet in Heaven gave me hope and inspired a way of thinking about the afterlife and the time I have left in the world. The Next Person You Meet in Heaven builds upon this vision; while I find I wanted more from the story (more depth from the various characters’ teachings) I also found comfort in the lessons and tales.
Albom has a way with storytelling. The Next Person You Meet in Heaven is full of beautiful prose and moving dialogue. This novel isn’t long and didn’t take me much time to read—with the exception of having to re-fill my wine glass and tissue stash every other page. Albom weaves together not only the lives of those in this book, but those from the previous novel, as well. The idea that we are all connected is strongly rooted in this novel. Albom writes in a tactful, imaginative and beautifully simplistic way…a way that forced me, as a reader, to look into my own life with a more open and optimistic mind. As I was reading, I found myself thinking of all the time I (and those around me) have wasted holding onto grudges or being angry when it is, ultimately, so much more rewarding to let all that go. This book is a strong reminder that our lives here are short and we’re better off spending this time finding ways to be happy rather than to hold on to those things that fill us with anger, fear and doubt. Perhaps more importantly, The Next Person You Meet in Heaven serves as a reminder to hold on to those you love and to make it known how you feel as often and sincerely as possible…for we never know when our time will end.
When I was in college earning my degree in English Literature, I took a senior class that concentrated on the concept of “grace.” I was unfamiliar with this topic. As I said before, I wasn’t raised religiously one way or another, and was woefully ignorant on the subject. We read texts and wrote papers all about different theological ideas of grace. It was because of this class that I learned to expand my reading genres. As someone who can remain fairly objective when reading and talking about religious topics, I absolutely love this idea of heaven that Albom has created. Some people may say this book is corny or that it reads like a fluffy Hallmark channel film…full of lessons of love and what we can learn from heartache and tragedy. But, that makes no difference to me. His vivid storytelling brings me comfort and a sense of hope…hope for what lies ahead and comfort that my loved ones who are gone are waiting somewhere where they are at peace, full of the exhilarating and fulfilling emotions they cherished in life. Albom creates this world without agenda of cramming it down the reader’s throat, but with an air of one showing the reader a glimpse of a possible answer to one of our greatest questions: What happens after we die?
I recommend this novel (along with The Five People You Meet in Heaven) to anyone who enjoys a real tear-jerker with a feel-good message. My initial complaint was that there wasn’t enough backstory to the main character, Annie, and her husband, Paulo; but, as the story continues, Albom reveals more about their relationship and history in a poignant style. My only other criticism is that it was much too short! I wanted the book to last longer and I found myself taking more breaks between chapters to expand my reading time. On the other hand, I appreciate Albom’s ability to pack such a powerful and compelling story into such a small book. I gave this book 5/5 stars—I just can’t help it! I love it! The vivid and emotional braiding of characters and storylines was far more memorable than any flaws that may exist in the novel. I reserve my 5 star rating for books that I find stellar and impeccable, and The Next Person You Meet in Heaven fits the glove. I recommend pairing Albom’s novel with a pinot grigio; I sipped (or gulped between heavy sobs) Dark Horse Pinot Grigio while reading. I took a break from red wine for this read as I wanted something refreshing to help digest some of the more emotionally-saturated parts of the story. This wine is crisp and airy and pairs well with the delicate and peaceful feel of Albom’s heaven.
Rating: 5/5
Wine: Dark Horse Pinot Grigio
Snag your own copy: Amazon or Barnes&Noble
-
The Lying Game
Title: The Lying Game
Author: Ruth Ware
Genre: Mystery/Thriller
Published: 2017
Obtained: Barnes and Noble
When three women receive a mysterious message from their friend, Kate, they all rush to her side as they promised to do as girls. However, as told from the point of view of Isa, the women soon realize that not only did their childhood game have terrible consequences, but they are also missing pieces pertinent to a situation that occured years ago…a situation that they all agreed to keep secret. Now, it’s time for the friends to face their past head on—but will they all adhere to the old rules of the game when it comes to being truthful with one another?
Ruth Ware’s novels, that I have read, are full of beautiful prose and suspenseful plots. The Lying Game starts out strong; however, it loses its luster pretty early into the story. I love the premise of the novel focusing on four girlfriends and their mysterious history, but the plot unravels like molasses. While the narrator, Isa, is fairly well-developed, the other three girls are lacking in depth. Ware starts with such a sturdy premise—her opening chapter hooked me into the mysterious text message from Kate and had my mind reeling about what kind of trouble in which these four, seemingly normal, girlfriends could be involved. That enticed feeling was short lived.
Ware writes with such lovely phrasing and poetic justice. I felt this writing was perfectly suited for her novel The Death of Mrs. Westaway with it’s old-school, gothic feel; I did not, however, feel that it worked in the Lying Game. This book is one of four friends who attended a boarding school together in their youth, where they spent their time breaking rules and drinking. The lengthy, flowery writing (while very appreciated as a reader and writer) is distracting from the story itself. So many times I grew frustrated and just wanted the narrator to get to the point! Furthermore, I think what was so frustrating, as a reader, was that the elaborate prose was often in regards to details that either didn’t matter or had no real connection to the actual story.
Isa is a frustrating narrator. She is slow to expose the reader to important details about her past and her relationship with the three other girls. Isa’s character build wasn’t particularly interesting to me—while reading, I found her dull and, at times, obnoxious. Kate is slightly more developed, but still falls short. Fatima and Thea are incredibly weak characters, which is a shame because I was so curious about them at the start of the novel. A majority of the scenes with the women focus on them drinking and reminiscing, pieced together with flashbacks and memories from the narrator; however, it comes off choppy to me, as a reader, with very little meat and details that could help build up the mystery of the story. While a rule of their game is to never lie to each other, they are constantly lying to each other! Moreover, it still bothers me that they seem to lie to each other for no substantial reason. Again, the idea is there, but the story just doesn’t build or come together very well.
As beautiful as Ware’s writing is, the story unravels in a very tedious manner. The pace is slow and the story is full of subplots and scenes that just don’t really have much to do with crux of the novel. I was excited by the premise of the book and by the introduction, but the rest of the novel was underwhelming. There are scenes and phrases from The Woman in Cabin 10 and The Death of Mrs. Westaway that still stick out in my mind, but I don’t feel that same way about The Lying Game. It was a fun and easy read with, I reiterate again, beautiful writing; but, I think readers who are familiar with Ware will find that it falls short of her other novels. I gave The Lying Game a 2 out of 5 stars. I have one more of Ruth Ware’s books to read and I still have high hopes for it! As far as the wine pairing with The Lying Game, I recommend The Stag by St. Huberts, which is a Cabernet Sauvignon. It’s a full bodied, smooth, dark red that has hints of berries, oak and spice. I picked this up due to liking a dark, flavorful red to go with a good mystery full of perplexing characters; admittedly, I will say that the flavors in this wine are more complex than the characters in The Lying Game (which was disappointing as a reader, but fantastic as a wine-drinker).
Rating: 2/5 stars
Wine Pairing: St. Huberts The Stag (Cabernet Sauvignon)
Snag your own copy of The Lying Game at Barnes and Noble or Amazon
-
The Man in the High Castle
Photo is a screenshot from my Audible app
Title: The Man in the High Castle
Author: Philip K. Dick
Genre: Science Fiction/Dystopian/Alternate Fiction
Published: 1962
Obtained: Audible
It’s the early 1960’s in the United States, which has been divided since the end of World War II; one half is under Nazi control, while the other is under Japanese rule. The only hope that really manifests for the individuals living under the German or Japanese rule is in the form of a novel called, The Grasshopper Lies Heavy—a banned book depicting a world in which the Axis Powers lose the war.
Photo is a screenshot from my Audible app
Let me start by stating that this review does contain some small spoilers; as hard as I tried to avoid spoiling anything too profound, it was incredibly difficult to discuss this book without exploiting some details. I have such a complicated view on this book which mirrors the complicated feelings I experienced while reading it. I selected this book after I started watching the series on Amazon Prime. The show is gripping despite it’s slow start. The television series has definitely taken some liberties from the novel, but the skeletal foundation is there. The Man in the High Castle takes place in a world where the Axis powers won World War II. It opens in the early 1960’s where half of the United States is under rule of Nazi Germany in the Greater Nazi Reich and the other half is under the influence of Imperial Japan in the Pacific States of America. The story opens with unsettling details through the eyes of a few primary characters—slavery is once again legal, individuals are persecuted based on race and those of Jewish descent are forced to live under new names to survive in secret. The author, Philip K. Dick, takes the reader on a journey through a parallel universe that depicts how our world might be if the U.S. had lost the war. The novel is both terrifying and ingenious. While Dick’s theories and ideas are both strong and dynamic, they tend to drown out the characters and the subplots in the book.
I am not typically drawn to science fiction or dystopian novels. As I mentioned, I picked this book up after I was sucked into the show. However, I was compelled by the exploration of race, alternate realities and destiny/fate. I think I was most struck to see how the world could be if World War II had a different outcome. What I find terrifying is the thought of how easily our world could slip into this type of intolerant, violent society as depicted in The Man in the High Castle. I found it interesting that so many characters in this novel utilize the I Ching to help guide them as they make decisions. The I Ching literally pops up in every plot and subplot of the novel; it is the connection between various characters. More incredibly, however, is the idea that the I Ching allows the reader glimpses into these alternate universes that some of the characters experience. The book gets even more mind blowing with the introduction of The Grasshopper Lies Heavy, which is a book within The Man in the High Castle; The Grasshopper Lies Heavy is a book written by a character named Hawthorne Abendsen. Abendsen’s novel is a refreshing piece of fiction for many of the characters in The Man in the High Castle because it depicts a world where the Axis powers lost World War II; though not quite the world as we know it now, many characters are drawn to the book because it offers a glimmer of hope. Now, here comes a spoiler (sorry!): Abendsen admits to using the I Ching to write The Grasshopper Lies Heavy—implying that there is a truth regarding the outcomes written in it. Because The Grasshopper Lies Heavy ends with some differences compared to our own history, the reader is left wondering if Dick is implying that our real world is also an alternate universe in a sea of possible worlds. If your brain hurts, welcome to the club!
A big glass of Fortress wine to help the brain pain!
As the reader, I did have my issues with the book. While the alternate universe and the connections of fate kept my mind reeling and invested, I felt very little connection to a majority of the characters. I’ve said this before in my reviews, but characterization is a big deal to me as a reader. I enjoyed some of the inner-monologues, like Frank’s or Childen’s, that offered some insight into their perspectives of that world and the shift in culture…but these instances were far and few between. Aside from the fascinating world Dick created, I felt lost and bored during many parts of the book. Perhaps I made the mistake of starting the show first; I was expecting more from the characters and much more action. The novel consists of a lot of “almosts” —there was almost an assassination and there was almost a horrible tragedy in store for an important character. However, a lot of these “almost” things don’t come to fruition. In fact, the ending of the novel, while establishing a profound and thought provoking possibility, is extremely anticlimactic in terms of action and closure.
All in all, The Man in the High Castle consisted of intriguing sub-plots that are introduced and then nicely woven together as the story progresses. The scary world that Dick has created offers a lot of opportunities for the reader to imagine how differently our lives could be…and, arguably, draw parallels to the events occuring in real time. The ideas of alternate realities and fate are well developed and are written philosophically and profoundly. Yet, Dick delivers an underwhelming novel. He fails to cultivate any real connection between the reader and the characters. The lack of action left me wanting more from the story; truthfully, some of the monologues and passages felt mind-numbing and had me itching to put down the book. While the initial glaring presence of exterminations, persecutions and violence were terrifying, the idea of American culture being destroyed and non-existent was incredibly unsettling. I give this book 3.5 out of 5 stars. It is the most demanding book I’ve read—meaning, it required a lot of focus and mental effort to read it, understand it and appreciate/enjoy it. As a book-lover, it pains me to admit that I am enjoying the show far more than I enjoyed the novel (insert Septa Unella following me with her bell saying, “Shame! Shame!”). But, it’s true. I do recommend this book to anyone who enjoys alternate universes, dystopian-type books and profound thoughts on truth and fate. I also recommend giving it a try if you are currently watching, or have interest in watching, the Amazon Prime series. And I highly suggest watching The Man in the High Castle—I have found that the writers and developers of the series have really expanded on the characters, giving them more depth and more meaning. As far as the wine pairing, I suggest anything that contains a high alcohol content, for your brain will surely thank you. Specifically, I recommend Fortress Cabernet Sauvignon 2013, which has a 14.5% alcohol content to help swallow down the atrocities of the Axis alliance. This wine provides a bold, dark and strong flavor that pairs well with the dark and, often, cryptic aspects of The Man in the High Castle. Enjoy!
Rating: 3.5/5 Stars
Wine Pairing: Fortress Cabernet Sauvignon 2013
Snag your own copy: Audible or Amazon
-
A Secret History of Witches
Title: A Secret History of Witches
Author: Louisa Morgan
Genre: Fiction/Occult Fiction
Published: 2017
Obtained: Barnes & Noble
Spanning five generations, A Secret History of Witches is a tale of witchcraft that is passed down from mother to daughter through the Orchiére family. Beginning in early 19th century in Brittany, the story begins with Grandmére Ursule and her sacrifice for her lineage. Her female descendents continue practicing the craft, with the magic coming to each woman in unique ways. As the world evolves and changes, so changes each generation of witch…and so changes the craft.
I had high hopes for this novel. I selected it as my first fall read, and, quite frankly, the cover is what initially hooked me. Unfortunately, the novel did not live up to my expectations. I found the plot repetitive, a majority of the characters underwhelming and the story itself anti-climatic. Louisa Morgan has a beautiful knack for prose and the seeds of a potentially great story.
Each of the main female characters has their own story within the novel. Therefore, the reader does not experience the entire story within one realm of characters. Each of the women’s stories—Nanette, Ursule, Irene, Morwen and Veronica—seem to follow very similar patterns…at least up until the last daughter, Veronica. It’s a redundant pattern that had me disappointed—for most of these strong, powerful females continually use their magic to hook a man OR use one in order to get pregnant. With such a set up of women where the matriarchy is crucial and capable, they easily bend to the patriarchal ways. Of course, I understand that Morgan is including actual history in regards to how society ran with gender roles, but I was so hoping for something more substantial. I will say that I enjoyed Veronica’s story the most out of all the women, for she uses her craft to help fight the war and to make the world a better place. For me, Veronica is the most astounding female character in the book, for she uses her powers effectively with very little thought for herself. Unfortunately, it wasn’t just the plot that was repetitive, but the themes, as well. Every section reminds the reader that men are oppressive beings who hate what they fear—powerful women.
A majority of the characters were not fulfilling for me as a reader. Immediately, I was drawn to Grandmére Ursele for her strength and mystery. However, as the stories continues, the characters range from dull to frustrating to repulsive (again, with the exception of Veronica). Irene is the worst, in terms of personality. She’s manipulative, selfish and ungrateful. But, I would also argue that it is her story where the book begins to become more tolerable. Irene’s story is unique as she is so vastly different from any of the women in the Orchiére clan up to that point. Due to her repulsive personality, I was able to empathize with her daughter Morwen and the decisions she makes in regards to the craft. However, her story feels cut-short before tumbling into Veronica’s tale. I would like to note that Veronica’s book made me happy that I decided to see the novel to the end.
Morgan’s writing is beautiful in regards to the prose and the turn of phrases. She uses vivid imagery when setting the scene and nailed down personalities to a point. I was hoping for a little more of that descriptive composition when it came to the scenes involving magic…I mean, I was looking for a bewitching, whimsical book here! For me, in the end, it came off a little disenchanting. I truly believe the idea and potential were there for a phenomenal story. In the end, I think the novel’s weakness lies in the redundant cycling of the tales, themes and character choices. I enjoyed the tenderness between various characters, the love and loyalty that flowed through the generations of the women and the ferocity of Veronica’s character. I recommend this book for those that enjoy pretty prose and a hint of fantasy. Overall, I give this book 2/5 stars.
Though I was sick for the second half of the novel and primarily stuck to hot tea, I enjoyed Carnivor Cabernet Sauvignon while reading the first half of A Secret History of Witches. This wine has earthy undertones of berries, coffee and toasted oak which, for me, paired well with the earthy, rustic tones of the novel. The characters are typically dabbling in potions or mixing simples that reminded me of the flavors of this wine.
Rating: 2/5
Wine: Carnivor Cabernet Sauvignon
Snag your own copy of A Secret History of Witches: Barnes & Noble or Amazon
-
Pretty Girls Dancing
Title: Pretty Girls Dancing
Author: Kylie Brant
Genre: Mystery/Psychological Thriller
Published: 2018
Obtained: Amazon
Seven years ago, a young teen, Kelsey, was abducted from her hometown leaving her family nearly destroyed in the aftermath. Affected by her disappearance are her parents, both distant and battling their own struggles, and her younger sister Janie, an intelligent but anxious teen. Now, another girl has gone missing and Kelsey’s family members are all grappling in their own way to deal with the news. Mark Foster, a detective assigned to the new case of the missing girl, begins to link similarities in the cases of the two missing teens. Foster must find an effective way to approach Kelsey’s family and discover any family secrets that may help him find Whitney before it is too late.
Pretty Girls Dancing is a page-turner! I finished this book almost as fast as I can down a good glass of rosé. Told from the varying points of view of multiple characters, the mystery unfolds at a fairly decent pace. I didn’t have an inkling that the killer was a known character until the chapter before the big reveal—and there was another twist after that!
What I enjoyed about the book was that the first chapter had me hooked. I love a good opening chapter with some kind of action that pulls me right into the story; this did not fail to disappoint. I thoroughly enjoyed the idea of the story being told from the viewpoints of different characters. Unfortunately, I really only enjoyed two of these characters: Whitney and Janie. Several of the characters felt undeveloped, which inevitably led to me being uninvested in them. Whitney and Janie, however, were rich in layers of personality and their chapters really pushed the story forward whereas Janie’s parents’ chapters felt stagnant.
The plot of Pretty Girls Dancing was intriguing. Serial Killer stories are ones that I find engrossing—they often offer the right amount of mystery and thriller that keeps me turning the pages. After a while, I began to wonder if the killer in this book was just some mystery person we weren’t supposed to know at all, given that there were no real clues to decipher the identity of the villian. However, right before the big reveal, I did have that, “Aha!” moment—but I will confess it was built on a pure guess, not context clues from the novel. I still have some confusion and questions regarding the wild goose chase the detectives embark upon in the final chapters of the book; there were no solutions or answers to what the suspected villains had to hide. This aspect of the story left me unsettled and unfulfilled.
I was surprised to discover that much of the narrative reveals less of the mystery and more of the grief and devastation that can come from a family member (particularly a child) being abducted. While I did not always enjoy reading from the viewpoints of certain characters, these pages did make me think about all the emotions and aftermath of something so traumatic happening to a family. Furthermore, for as gripping as the opening chapter was, I was surprised by how long it took for the story to really pick up at a suspenseful pace.
I recommend this book for a quick, fun read. I finished it in two days and had to keep plundering on until I could identify the bad guy and discover what kind of endings the author would write for Whitney and Janie. If you’re looking for a complex, perfectly-constructed thriller/mystery–then this is not it. Don’t get me wrong, it’s a good book (and an enjoyable read), but it had so much more potential than what Brant delivers. I recommend a strong, dry rosé to pair with it; I prefer to save my more expensive wines for more complex and riveting books. Therefore, I suggest something like Dark Horse Rosé; this wine is sweet and crisp to pair with the innocence of the girls who have been affected by the serial killer, but also dry and strong (12.5% alcohol content) to get you through both the thrilling and not-so-thrilling parts of this book.
*I could not find this wine in a bottle when I went to purchase, but it tastes just as good!*
Rating: 3.5/5
Wine: Dark Horse Rosé
Snag your own copy of Pretty Girls Dancing: Target or Barnes & Noble
-
The Woman in the Window
*Photograph is a screenshot from my Audible app*
Title: The Woman in the Window
Author: A.J. Finn
Genre: Mystery/Psychological Thriller
Published: 2018
Obtained: Audible/Amazon
Anna Fox was once a child psychologist, but is now a recluse with a drinking problem and Agoraphobia. Anna passes her lonely time by spying on her neighbors with her camera while mixing her medications with red wine. One day, Anna sees a dangerous incident in her neighbor’s house and her life begins to spiral out of control. The story whittles down to what did Anna really see and why doesn’t anyone believe her?
This was a super fun read! Initially, I was slightly creeped out by the main character, Anna Fox, who spends her days spying on the neighbors through her window. But, as the story unfolds, I began to warm up to her. Anna is a child psychologist who suffers from severe Agoraphobia mixed with a drinking problem. She is separated from her husband, who is the primary caregiver for their daughter; their daily phone calls help Anna get through her house-bound, merlot-fueled days. One day, Anna sees an appalling scene unfold across the park in her neighbor’s home. Not only does Anna struggle to find a way to help, being unable to leave her house, but she also struggles to determine if what she saw was real…given that she often mixes her medications with copious amounts of alcohol. The story barrells on in a psychological whirlwind. What really happened? Who’s to blame? It’s a page-turning thriller right up to the very end.
The Woman in the Window was the best psychological thriller I have read in some time. I will say, however, that I am tired of reading female protagonists who are unreliable due to drinking habits; it feels overdone. Anna is a character full of interest—her past is a story that unfolds slowly over the pages and keeps the reader hooked in order to discover her truth. The trauma in her past with the Agoraphobia (fear of open spaces) along with her pill popping, obsession with old thriller flicks and background in professional psychology would have been enough, I think, to convince the reader that she may be a questionable witness. On the other hand, her steady flow of red wine had me uncorking my own bottles as I read.
If you’ve read enough psychological thrillers, one of the plot elements will probably seem fairly obvious. Luckily, this element of the story is not the big twist that will keep you turning those pages faster than Anna gulps down that Merlot. Truthfully, even if I had guessed the final twist and the ending of this novel, I would have continued to read it. Finn writes beautiful prose. This was a pleasant surprise for me as a reader. I was not anticipating the poetic-like passages in The Woman in the Window. Not only is the novel suspenseful, but the sequence of words is alluring and elegant. Once I learned that the main character was a recluse, I shuddered with claustrophobia—I was afraid that the house would be too confining and could, potentially, dull the story down. I was pleasantly surprised by this too. It created an uncomfortable, suspenseful feel to the story that clung to me even when I put the book down for the evening.
The other characters in the story were well developed and memorable. I enjoy those characters that have that love-to-hate feel to them (like Dolores Umbridge); I felt that with a few of these characters. As Anna grew more paranoid throughout the story, I could feel myself analyzing the other characters—trying to pick them apart. They were each distinct—from the members of the Russell family to the detectives working the case. Each character had memorable aspects to them and I retained those details in case they were needed as the mystery unfolded.
Lastly, I loved the way Finn intertwines the story with Anna’s love for old thriller films. The films she watches alone often correlate, in some form, with the actual plot of the novel. As a reader, and someone who thoroughly enjoys and is familiar most of these old films, I found myself equating the film plots with Anna’s story and trying to figure what clues the author was dropping along the way. Despite a reminiscent feel of Rear Window, the tidbits of plot and dialogue from various other classic movies created a refreshing spin on this type of book.
While I can argue that this novel may not be a revolutionary or new storyline, I can argue that it is strikingly unique to others in the same genre. Finn manages to breath new life into a classic plot. I was enthralled while reading and ate up each page in desperation for answers. Finn works with a limited setting, confined primarily to Anna’s house, and with a handful of characters. Yet, he creates a spine-tingling story that evokes the reader to stick with Anna until the very end. I give this book a 4.5/5 for Finn’s prose, character development and creativity with the plot. It was a fun, electrifying read that I thoroughly enjoyed from cover to cover. Of course, I have to suggest a Merlot to pair with it, as it is the main character’s drink of choice; I wanted to pour myself a glass of red each time Anna did—if only to let her know she wasn’t drinking alone. My wine of choice for this book is the Merlot by Josh Cellars. This is a smooth and soft red that balances the bumpy, more thrilling parts of this book.
Rating: 4.5/5
Wine: Merlot, Josh Cellars (Vintage 2016)
Snag your own copy of The Woman in the Window: Audible or Amazon
-
The Death of Mrs. Westaway
*Photograph is a screenshot from my Audible app*
Title: The Death of Mrs. Westaway
Author: Ruth Ware
Genre: Mystery/Psychological Thriller
Published: 2018
Obtained: Audible/Amazon
Hal Westaway is a broken shell of a young woman trying to make ends meet by reading tarot cards on a pier in Brighton. Running from loan sharks and trying to earn enough money for bare essentials, a mysterious letter naming her as a beneficiary to a strange, now-deceased, woman seems like a miraculous answer to Hal’s problems. Hal knows this must be an error, but if she plays her cards right she may just be able to hoodwink this wealthy family into a small inheritance—solving all of her troubles. But, as Hal begins to play this game of cat and mouse, it becomes muddled and complex; soon she begins to wonder if she is the cunning player or if she is the one being lured into this dark, confusing scheme.
This was my second novel by Ruth Ware and I found it so much more satisfying than The Woman in Cabin 10. With a gradual start, Ware brings the reader in to Hal’s hard life. Immediately, I was drawn to her character. Hal is small and described by Ware as mouse-like, but it soon becomes apparent that her insides do not fit that description. She is intelligent, vulnerable and strong. I could sympathize and empathize with her choices—a desperate and isolated young woman who makes a choice to take a risk (and take advantage) of a family so wealthy that they surely will not miss a couple hundred pounds—money that could surely save Hal’s life. But, from the moment she enters Trepassen House, something is amiss. The feel of the story shifts into coldness that matches the description of the dark, lonely house.
Hal begins to discover that while she may not be the missing granddaughter the family assumes she is, she definitely has connections to the family and the house. With unfolding clues and questions, Hal slowly begins to piece together the story of her past—of her mother’s past. However, digging for answers does not come free of consequences. And that is what I love about this book—while a slow build, the tension is consistently leaping off the page. It takes solid, fantastic writing to keep that tension building when nothing much is physically happening. Ware’s characters are well developed, distinct and written with vivid imagery. While I had my suspicions early on (which happened to be right), I didn’t lose interest, but rather felt the urge to continue on to see if I was accurate.
The entire novel is wittily crafted. Ware manages to keep the reader in wonderment and suspense throughout the pages. There was something about this book that was so unlike some of the mystery novels I have read as of late…something that goes beyond just being creepy. Hal is placed in an attic room (that only locks from the outside) in this dark, grim house that seems to be hiding countless secrets within it’s dingy, cold walls. Not only does the house seem unwelcoming, but a majority of the characters are, as well. From the housekeeper to her “uncles”, Hal feels a sense of foreboding in the reception of her new “family”. Pretty soon, Hal begins to question her own past. With her mother dead and no history of a father, she begins to wonder how her mother was involved with this dreary place and the people who inhabited it. Yet, with the growing strain and conflict from her scheme and the truths she is learning, Hal struggles to unearth anymore information regarding the truth of her past.
The setting is vivid and easy to imagine, though you may not always enjoy the creepiness of it. The plot is well-developed with conflict that compounds at a solid pace until the end when Ware reveals the mystery and unanswered questions. Furthermore, the character development was extremely satisfactory. Where I complained of the characters in The Woman in Cabin 10, I did not have the complaint with this novel. Hal is intriguing as the main character for she presents like a meek and mild mouse, but her true-inner self is so much more that that. I felt like she was relatable, even if her situation and intentions were not. In other words, I could empathize with her throughout the story, which made me like her as a character. Mrs. Warren was so irritating in a love-to-hate-her kind of way, which also kept me turning the pages to see what she was up to next. The brothers were distinct and written in such a way that they didn’t run together, as I felt some characters did with The Woman in Cabin 10.
My criticism lies in small areas. As I mentioned before, one of the big plot twists was a tad predictable from the start. However, the other twists were not so obvious, which helped balance the plot for me as a reader. I don’t know if my other thought is really a criticism because I’ve been flip-flopping on the idea since I finished the book. There is a thin line between giving too many clues and not enough in a book—particularly with mysteries. Initially, I thought the true villain was a bit illogical due to the fact that I didn’t feel there was any build up to this individual being the culprit. But, after reading back through various passages, I can see where Ware was dropping subtle hints about this person’s demeanor…scenes where she aimed to reveal this character’s raw emotion. I began to reread parts of the novel where this character’s reactions could have been just enough foreshadowing without being obvious. I’ll leave it at that; although, I’m curious to know what other people thought about this big reveal. If you have thoughts on this, please reach out or comment, as I enjoy hearing perspectives other than my own!
Overall, I loved this book. While there were parts that made me want to shout at the author to move it along, they were far and few between. I tend to be drawn to books, as I’ve said before, that have strong character development. This novel met those standards; while I was aching to see some action and get some answers, I also enjoyed those passages where I could see the dots connecting in Hal’s mind. I gave the story a 4.5/5 stars due to the enigmatic story, the memorable characters and the wonderfully written prose. I also suggest a Syrah or Shiraz for this read—a dark red with sweet, fruity undertones mixed with a hint of chocolate. The dark grapes pair well with the anguished, cryptic characters and alluring story. I sipped on Peter Lehmann The Barossan Shiraz 2015 while reading The Death of Mrs. Westaway. The hint of sweetness (both fruity and chocolate-y) matches the love that Hal has for her mother and the sweet innocence with which she longs for a family; the high alcohol content helped me digest the darker passages in this book.
Rating: 4.5/5
Wine: Peter Lehmann The Barossan Shiraz 2015
