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The Death of Mrs. Westaway
*Photograph is a screenshot from my Audible app*
Title: The Death of Mrs. Westaway
Author: Ruth Ware
Genre: Mystery/Psychological Thriller
Published: 2018
Obtained: Audible/Amazon
Hal Westaway is a broken shell of a young woman trying to make ends meet by reading tarot cards on a pier in Brighton. Running from loan sharks and trying to earn enough money for bare essentials, a mysterious letter naming her as a beneficiary to a strange, now-deceased, woman seems like a miraculous answer to Hal’s problems. Hal knows this must be an error, but if she plays her cards right she may just be able to hoodwink this wealthy family into a small inheritance—solving all of her troubles. But, as Hal begins to play this game of cat and mouse, it becomes muddled and complex; soon she begins to wonder if she is the cunning player or if she is the one being lured into this dark, confusing scheme.
This was my second novel by Ruth Ware and I found it so much more satisfying than The Woman in Cabin 10. With a gradual start, Ware brings the reader in to Hal’s hard life. Immediately, I was drawn to her character. Hal is small and described by Ware as mouse-like, but it soon becomes apparent that her insides do not fit that description. She is intelligent, vulnerable and strong. I could sympathize and empathize with her choices—a desperate and isolated young woman who makes a choice to take a risk (and take advantage) of a family so wealthy that they surely will not miss a couple hundred pounds—money that could surely save Hal’s life. But, from the moment she enters Trepassen House, something is amiss. The feel of the story shifts into coldness that matches the description of the dark, lonely house.
Hal begins to discover that while she may not be the missing granddaughter the family assumes she is, she definitely has connections to the family and the house. With unfolding clues and questions, Hal slowly begins to piece together the story of her past—of her mother’s past. However, digging for answers does not come free of consequences. And that is what I love about this book—while a slow build, the tension is consistently leaping off the page. It takes solid, fantastic writing to keep that tension building when nothing much is physically happening. Ware’s characters are well developed, distinct and written with vivid imagery. While I had my suspicions early on (which happened to be right), I didn’t lose interest, but rather felt the urge to continue on to see if I was accurate.
The entire novel is wittily crafted. Ware manages to keep the reader in wonderment and suspense throughout the pages. There was something about this book that was so unlike some of the mystery novels I have read as of late…something that goes beyond just being creepy. Hal is placed in an attic room (that only locks from the outside) in this dark, grim house that seems to be hiding countless secrets within it’s dingy, cold walls. Not only does the house seem unwelcoming, but a majority of the characters are, as well. From the housekeeper to her “uncles”, Hal feels a sense of foreboding in the reception of her new “family”. Pretty soon, Hal begins to question her own past. With her mother dead and no history of a father, she begins to wonder how her mother was involved with this dreary place and the people who inhabited it. Yet, with the growing strain and conflict from her scheme and the truths she is learning, Hal struggles to unearth anymore information regarding the truth of her past.
The setting is vivid and easy to imagine, though you may not always enjoy the creepiness of it. The plot is well-developed with conflict that compounds at a solid pace until the end when Ware reveals the mystery and unanswered questions. Furthermore, the character development was extremely satisfactory. Where I complained of the characters in The Woman in Cabin 10, I did not have the complaint with this novel. Hal is intriguing as the main character for she presents like a meek and mild mouse, but her true-inner self is so much more that that. I felt like she was relatable, even if her situation and intentions were not. In other words, I could empathize with her throughout the story, which made me like her as a character. Mrs. Warren was so irritating in a love-to-hate-her kind of way, which also kept me turning the pages to see what she was up to next. The brothers were distinct and written in such a way that they didn’t run together, as I felt some characters did with The Woman in Cabin 10.
My criticism lies in small areas. As I mentioned before, one of the big plot twists was a tad predictable from the start. However, the other twists were not so obvious, which helped balance the plot for me as a reader. I don’t know if my other thought is really a criticism because I’ve been flip-flopping on the idea since I finished the book. There is a thin line between giving too many clues and not enough in a book—particularly with mysteries. Initially, I thought the true villain was a bit illogical due to the fact that I didn’t feel there was any build up to this individual being the culprit. But, after reading back through various passages, I can see where Ware was dropping subtle hints about this person’s demeanor…scenes where she aimed to reveal this character’s raw emotion. I began to reread parts of the novel where this character’s reactions could have been just enough foreshadowing without being obvious. I’ll leave it at that; although, I’m curious to know what other people thought about this big reveal. If you have thoughts on this, please reach out or comment, as I enjoy hearing perspectives other than my own!
Overall, I loved this book. While there were parts that made me want to shout at the author to move it along, they were far and few between. I tend to be drawn to books, as I’ve said before, that have strong character development. This novel met those standards; while I was aching to see some action and get some answers, I also enjoyed those passages where I could see the dots connecting in Hal’s mind. I gave the story a 4.5/5 stars due to the enigmatic story, the memorable characters and the wonderfully written prose. I also suggest a Syrah or Shiraz for this read—a dark red with sweet, fruity undertones mixed with a hint of chocolate. The dark grapes pair well with the anguished, cryptic characters and alluring story. I sipped on Peter Lehmann The Barossan Shiraz 2015 while reading The Death of Mrs. Westaway. The hint of sweetness (both fruity and chocolate-y) matches the love that Hal has for her mother and the sweet innocence with which she longs for a family; the high alcohol content helped me digest the darker passages in this book.
Rating: 4.5/5
Wine: Peter Lehmann The Barossan Shiraz 2015
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The Lonely Hearts Hotel
Title: The Lonely Hearts Hotel
Author: Heather O’Neill
Genre: Literary Fiction/Historical Fiction
Published: 2017
Obtained: Target
Two Montreal orphans find comfort in each other during their childhood in the early 1900’s. Pierrot and Rose, both raised in a dark and corrupt orphanage, begin to explore their natural talents for entertainment. They begin performing all over the city—putting on cheerful acts of whimsy. Soon, however, they are pulled in two opposite directions as they come of age during the Great Depression. Both individuals find themselves wading in the city’s underworld of drugs, music, prostitution and gangsters. As they are reunited, their old dreams of performing their own imaginative show begin to flourish in front of them. There is, however, a different life perspective imbedded in the two lovers. Will their love and childhood dream be enough for the both of them?
The Lonely Hearts Hotel contains some of the best writing I have ever had the pleasure to read. Heather O’Neill has an intriguing and beautifully descriptive way with words. It is definitely one of the most unusual books I have read, which has made it difficult for me to review. While her writing was lovely, the story itself was gritty and dark. Personally, I enjoyed the contrast, but I acknowledge that this is not for everyone.
The story centers around two main characters—Pierrot and Rose. They were both raised in the same orphanage in Montreal during the early 1900’s. While they had vastly different experiences in their youth, both of their upbringings were extremely grim. As someone who works directly with kids, these were particularly difficult scenes to swallow. It was striking, as a reader, how these two children still manage to keep their extraordinary hopefulness throughout their youth and even into their young adulthood. Things do not get brighter for Pierrot and Rose through the years, but somehow they manage to see beauty in the murkiest of situations. I found this fitting with O’Neill’s style of writing—her gloomy story is told with such hopeful and alluring phrases, metaphors and descriptions.
As a woman, I love Rose’s character. She does what she needs to in order to survive—she tries her best to stay away from the alluring whirlwind of drugs despite not being able to avoid being a mistress to a businessman/thug. She struggles through these demeaning and downright terrible situations, but she never loses her passion. She refuses to conform to the docile expectations of women during that time, which also drew me in as a reader. As she’s living through these experiences, she’s also blossoming as a woman and discovering herself—giving her character incredible depth. Pierrot is also a well-rounded character full of sensitivity and passion, though arguably slightly less intriguing. Where Rose stands apart from the crowd, Pierrot sinks into addiction and other illegal avenues. Pierrot’s experiences lead him down a vastly different path than his friend. I am always pulled into stories because of the characters. O’Neill has created people in her novel that are so relatable and realistic—even if they do things that you can’t wrap your mind around, you manage to find ways to relate to them and empathize (or, in some cases, detest completely). O’Neill takes the reader on a journey across the entire span of human emotion.
Not wanting to spoil any part of the literary journey, let me just say that there are some incredibly explicit and graphic scenes in this book. There is rape, prostitution, heroin usage, gangsters and scenes that are tough to process due to the mindset of certain male characters bound to put the females in their place. But, there is also an innocence that can only come from the viewpoint of children; there is whimsy, imagination and pure love. As the reader, you follow the hopeless, dim journeys of these two characters but you’re also hit with a fantastical approach of hope and light. While I agree this book is not for everyone, I highly recommend giving it a try. If you can manage to get past the darkness of the story then the words, humor, stamina and sheer determination of the characters will fill you up completely. I have read countless books in my life thus far and not one of them has been anything like The Lonely Hearts Hotel; I am not sure what higher compliment I can give to the author. I gave this book a 4.5 out of 5 stars—it has been a very long time since an author has forced me to stop and re-read phrases and sentences simply because they are so beautifully written. On the other hand, there were a couple parts of the story that seemed to drag on unnecessarily. Quite frankly, there were times when my husband had to remind me to close my mouth because I was so engulfed in the shocking bits that I had no control over my facial expressions.
As far as wine, I have to recommend something on the sweet side. There are so many negative parts of the story—so many mean-spirited, selfish characters and acts that are almost balanced out with scenes of love and compassion. I recommend something light and fruity to wash down the heavy parts of this book. I recommend Stella Rosa Moscato D’Asti, which I thoroughly enjoyed sipping as I read this novel. It’s a semi-sparkling, semi-sweet wine (about as sweet as I typically prefer to go) with apricot and peach tones. While it’s not a particularly strong wine, it’s delightfully light and refreshing when chilled making it a perfect match for The Lonely Hearts Hotel.
Rating: 4.5/5 stars
Wine: Stella Rosa Moscato D’Asti
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A Few of my Favorite Things
In an attempt to provide some insight into my literary prefrences, I’ve compiled a list of my favorite books and a short explanation of why I love them.
Anne of Green Gables Series by L.M. Montgomery
Anne was one of the first literary heroines I can remember. It started with the film and a simple picture book from my great-grandma, Aina. I would repeat the Lady of Shallot around the backyard and pretend I was walking among the trees in the White Way Delight. Anne was imaginative and chatty—both characteristics to which I could (and can) relate. But, beyond those qualities was her desire to be smart and succeed. She valued reading, friendship and education. Anne Shirley came into Avonlea like a tornado. She changed the lives of Matthew and Marilla, the elderly siblings who adopt Anne, and they change her life, as well. Growing up, I couldn’t relate to the lonely, bleak life she had growing up as an unwanted orphan. But, I could relate to the relationships she made in Avonlea. I could understand her affection and love for Marilla and Matthew because I had loving parents and grandparents who I probably drove nuts with my incessant talking, but who also loved me for who I was.
Throughout the series, you see Anne blossom from a child to a woman. She taught me that there is nothing wrong with having big dreams, but that taking pleasure in the small, simple pleasures are the best bits of life. I went through phases of my youth where I could relate to Anne’s yearning of having an out-of-this-world, romantic, flashy love. But, as I grew older, I realized that it was so much more rewarding to have a person who you can be comfortable with…who loves my quirks and weirdness and who gives me so much more than marble halls and fireworks. If you haven’t read the entire 8-book series, I highly recommend it. You’ll laugh, you’ll cry and you’ll fall in love.
The Harry Potter Series by J.K. Rowling
This should not be a surprise to anyone who knows me. J.K. Rowling is my hero and this series will always have a special place in my heart. My grandma first bought me the Philosopher’s Stone when I was in elementary school—around 11 years old. It sat on my shelf for weeks until I literally had no other books to read. I was skeptical as I wasn’t into much fantasy as a child. In fact, I read To Kill A Mockingbird before I read Harry Potter (of course, there was a LOT of content in To Kill A Mockingbird that I simply couldn’t comprehend at the age). So, I thought the book would be childish, or simply not my taste. Looking back, I may have been a book snob. Once I started, I couldn’t stop. Thus began my love affair with all things Hogwarts-related. I would wait with my best friend, Natalie, at the bookstores for the next novel in the series to be released. We’d then stay up all night reading and “conferencing” after each chapter to discuss the characters and the plot. We were our own little book club and Harry Potter was the crux of our material for quite some time.
Not only did I feel as if I grew up with the characters, but every time I opened the pages, I could feel myself being transported into this magical world. Is there any better indication of a fabulous writer than to be able to effortlessly bring a reader into a make-believe world? J.K. Rowling created characters that I not only came to care about, but truly felt like I knew and loved. She created a 7-book plot that comes full circle at the end—filled with imaginative creatures, classes that made me want to attend several more years of wizard-school and themes of love and compassion that extend beyond the pages and into the hearts of very real readers. I’m trying very hard to be concise here, but I could talk on the subject for ages, so please feel free to contact me directly for any magical heart-to-heart conversations.
The Hobbit by J.R.R. Tolkien
I have so much love for this story that I don’t know quite where to begin! It’s the first peak into the world Tolkien created. While I do enjoy Lord of the Rings, The Hobbit is such a less-complicated, beautifully crafted piece of fiction. The imagination of the author astounds me; he created this fantastic world with wonderful characters and transports the reader right to the heart of it all. Bilbo Baggins is one of my favorite literary heroes; he’s kind, giving and level-headed. He exemplifies so many qualities that I admire from people, not just characters in a book. Bilbo represents what I so longed for as a kid—he was proof that someone ordinary could be chosen to be part of an incredible adventure. He wasn’t big, strong, or particularly good-looking, but he had heart and an unassuming nature about him. Tolkien’s storytelling pulls the reader into the adventure. Tolkien paved the way for fantasy fiction. And while I do love the Lord of the Rings trilogy that follows, there is just something super charming about The Hobbit that gives me the feels.
Peter Pan by J.M. Barrie
Peter Pan is arguably the book most near-and-dear to my heart. It started with the Disney animated film and The Little Golden Book version of the tale. Then, my grandma introduced me to the stage version with Mary Martin recorded on VHS. It wasn’t long before I was collecting different versions with various illustrations. I’m assuming you know the story—a little boy, who never grows up, lives on a fantasy island where he takes his new friends, The Darling children, on the adventure of their lifetime. It’s a classic story with everything from adventure and pirates to fairies and believing in things you can’t explain…but know in your heart to be true. If you haven’t read this beautiful story, I highly recommend that you go to your local library and check it out. It’s full of whimsy, charm and a sort of bittersweet truth at its core. It’s one of those books where you begin to read and become lost in the pages; Barrie’s writing is exemplary of showing without telling. If you’ve read it, you may recall how little detail Barrie gives to Peter Pan—ultimately leaving it up to the reader’s imagination to envision him. As a writer, I struggle with finding the balance of the show-don’t-tell-rule; I often reflect on this book as a reminder.
To Kill a Mockingbird by Harper Lee
I read Harper Lee’s classic novel for the first time when I was in elementary school. Obviously, a lot of the material was over my head like the language and themes. I’ve read To Kill a Mockingbird several times since then and it never ventures off my favorite book list. There are so many reasons I love this piece of work. First, it’s just so relatable. As a reader, I could relate to Scout—her curiosity, her innocence as she watched her father fight for what’s right and the way she takes in the adults around her. The themes of prejudice, racism and discrimination are still relevant today making Lee’s writing still as prominent now as it was fifty years ago.
Of course, I would be struck down the literary gods if I did not mention Atticus Finch. I read somewhere once that he was rated the greatest literary hero of all time. I could not disagree with this statement even if I had all the time in the world to try. Atticus is a man who stands up for what he knows in his heart is right despite the differences in opinion of those around him. I admire his ability to be both gentle and firm with his children. He doesn’t hide them from the ugly parts of life, but teaches them to use their own abilities and instincts to navigate the difficult facets of the world. I could write a book about how much I love this book! It’s beautifully written and such a simple narrative about complex aspects of the world.
Traveling Mercies: Some Thoughts on Faith by Anne Lamott
I have loved Anne Lamott since my English professor introduced me to her back in 2009. In fact, I wrote part a paper my senior year on Anne Lamott and the subject of grace. This book is a compilation of essays that are so easy to pick up/set down, but are written with such compelling humor and emotion that you won’t want to put it down once you get going! Anne Lamott writes with such honesty about difficult and real topics. I wasn’t raised religiously one way or another, so I loved how she writes about finding a quirky way to combine her favorite parts of different religions and faith. Anne Lamott had very real addictive struggles and writes with honesty regarding her overcoming and facing all challenges in her life. She talks about being a single parent and dealing with loss and death. But, her words are hopeful and weaved together in such a refreshing way. She shares her experiences and memories with such eccentric passion that I connected as a reader quite quickly.
The Five People You Meet in Heaven by Mitch Album
This was a book that truly surprised me. Again, I wasn’t raised religiously one way or another…so I wasn’t sure what to expect upon reading this book. Mitch Albom created a unique and heartwarming vision of heaven in this quaint novel. It opens with a grumpy old man who works at a carnival; the story follows his journey through the afterlife where he meets five people who help explain the purpose of his life on Earth. The novel is engaging, sweet and thought-provoking. I really enjoyed the read—It was short and easy to finish within a day. I highly recommend it to anyone who enjoys feel good stories.
The Shining by Stephen King
My dad got me into Stephen King when I was in middle school. He eased me in with a copy of The Dead Zone; another one I really enjoyed and recommend. Then, he brought me home a copy of Salem’s Lot; I still don’t sleep with my windows open. However, it was The Shining that I favored most. I read it several years ago in high school and then again more recently. It’s a perfect level of horror for me as a reader. And, of course, the book is so much richer than the film—although the film was pretty amazing, too. I still picture Jack Nicholson as Jack Torrance every time I pick up the novel. The book is about the Overlook Hotel and the depths of evil that inhabit it. But, it’s more than that. It’s a story about the inner demons in us as people. Jack Torrance is an abusive alcoholic, like his father, who psychologically spirals into madness while staying at this creepy hotel. The movie doesn’t quite do the backstories of the characters justice. I tend to be turned off by horror films and books because it seems like it’s so often about the gore-factor. Stephen King has this incredible talent for creating terrifying stories and plots with real, emotional roots. While a dead woman in the tub is frightening, it’s the monster in Jack Torrance that scares me now as an adult. King manages to expose the complex, dark sides of family dynamic. He exposes Danny’s thoughts to understanding the hotel and the effect it’s having on his father. It exposes Danny’s love for his father, despite the abuse and temper he has suffered. It exposes Wendy’s internal conflicts—her battle to save her child and her husband. King is a master of storytelling and this is my favorite example. I remember being so immersed in some of the scenes that it was a huge relief to look around and remind myself that I am at home in my recliner and not in the Overlook Hotel. Redrum!
The Princess Bride by William Goldman
It would be inconceivable if this one didn’t make my list! After watching the movie at my grandparents’ house one evening in a nest of pillows and blankets, I went and checked the book out of the local library. And it was one of the best decisions I ever made. I mean it has everything—pirates, death, miracles, the fire swamp, fencing, giants, battles of wit, revenge, friendship and, of course, true love. It’s a fairy tale adventure from beginning to end. You’ll hear me say it a million times on this blog, but character development is crucial for me as a reader (and a writer). The characters here—Buttercup, Wesley, Inigo Montoya, Fezzik—they are so rich and memorable. Goldman brings such originality by re-writing a book by a fake author and he does it with enthusiasm and non-stop fun. It’s extremely rare for me to enjoy a film as much as the book (I’m a snob, I admit it), but this is one of the exceptions. However, I will argue that there is much more backstory to feast upon when it comes to some of the characters in the book that you simply don’t get from the film. If you have seen the film, read the book and you won’t be disappointed. If you haven’t seen the film, read the book and you won’t be disappointed.
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The Woman in Cabin 10
Title: The Woman in Cabin 10
Author: Ruth Ware
Genre: Thriller
Published: 2016
Obtained: Target
After a traumatizing event, Lauren Blacklock, or Lo, embarks on a potential career-changing opportunity aboard a new luxury liner called the Aurora. She boards this lavish, but cramped, ship with the intention to network and craft a stellar piece for her magazine, Velocity. Things do not go as planned when Lo hears a loud splash and what appears to be a woman’s body sinking below the surface of the Black Sea. Lo begins to investigate and interrogate those around her while questioning her own memory of the events. There are only so many people aboard the small yacht and Lo knows for certain that one of them is a murderer…but who?
First, let me say that I struggled to put this book down each night! The structure of the novel was a steady build of suspense and tension. I picked this up after I heard it had compared to the style of Agatha Christie and I definitely understand the comparison. The Woman in Cabin 10 has a classic claustrophobic who-dunnit feel. As the conflict builds, I began to question the reliability of the protagonist–had she really witnessed something violent or was she simply psychologically spiraling out of control due to paranoia? The tension and the mystery continue to build with each scene and I kept turning the page because I wanted to learn the truth.
The character development was the weak point of the novel, for me. I had a hard time keeping track of the characters aboard the Aurora. They all seemed to blend slightly together and my visualization of them (based upon the descriptions) were blurry and unfocused. Even Lo, the main character, seemed lacking at first. She was borderline unlikable, but I had a twinge of sympathy for her that kept me attached as I read. I could relate to Lo’s anxiety and her honesty regarding the fact that there wasn’t a traumatic event in her childhood that caused her to feel anxious. I have anxiety and I often find that I have feelings of guilt because I convince myself that I have no good reason to feel the way I do. I can even relate to her unnecessary coldness towards her boyfriend prior to her departure; my anxiety can lead to irritability on occasion. But I often had to fight the urge to yell at her through the pages as she ran her big mouth to everyone on the ship. I wanted more from some of the characters–I wanted more depth. Character development is the glue for me as a reader and writer; if I’m not super invested in the characters then I have a difficult time engaging in the story. I felt like Lo developed slowly over the pages and by the end I was invested in her character’s future.
Ruth Ware did a phenomenal job with keeping the story concise and flowing. There wasn’t a lot of unnecessary descriptions or backstories. The story may have started out a bit slow, but it picks up aboard the Aurora and that’s when I found myself unable to put it down. Ware included a couple of twists that built more conflict and suspense. I also really appreciate her ability to show the final twist rather than tell it to the reader. As a writer, I find that my natural tendency is to do all the work and tell the reader what I want them to know rather than showing it; The Woman in Cabin 10 really had some excellent moments of this. Normally, I would love to share the examples, but as I don’t want to spoil anything, I will leave it at that!
Overall, I enjoyed this novel. There were spots where I felt like it was lacking in terms of character development. I was excited to pick this book up after hearing so many positive reviews…but, somehow, I felt a little underwhelmed in the end and I think it was due to a lack of connection to the characters. While it didn’t have a moment at the end where all the ends are neatly tied together, it was well written, well-crafted and didn’t leave me with too many unanswered questions. I just felt like it was missing a little of the magic that should be present in a thriller. I would give it 4/5 stars. The setting truly sucked me in to the point where I had to glance up and remind myself that I wasn’t stuck on that confined yacht. Ware really built the suspense nicely through the last two thirds of the novel. If you are looking for a fun, suspenseful story then I highly recommend The Woman in Cabin 10.
Wine Pairing: So, I have been on a rosé kick lately, but it just didn’t cut it with this book. Quite frankly, there were several times I had the urge to reach for the hard liquor (especially with the main character going to town on the mini-bar). I recommend a red zinfandel–they are usually quite strong with bold and oaky flavors (an “oaky-afterbirth” as Michael Scott would say). If you’re feeling fancy, try 1000 Stories Bourbon Barrel Aged Zinfandel (2016). It has just over a 15% alcohol content, but it matches well with the murkiness and mystery of The Woman in Cabin 10 with its smoky and full-flavors–not to mention it will keep your heart rate up as you follow the twists and turns with the story. I found the wine for about $16; if you’re on a bit of a budget or just not into spending that much on wine then try Apothic Red Blend. It goes for around $12.99 and it’s another red zin option that will hit the spot with a good thriller!
Overall Book Rating: ⅘ stars
Wine Pairing: Red Zinfandel (1000 Stories Bourban Barrel Aged Zinfandel and Apothic Red Blend)