-
The Man in the High Castle
Photo is a screenshot from my Audible app
Title: The Man in the High Castle
Author: Philip K. Dick
Genre: Science Fiction/Dystopian/Alternate Fiction
Published: 1962
Obtained: Audible
It’s the early 1960’s in the United States, which has been divided since the end of World War II; one half is under Nazi control, while the other is under Japanese rule. The only hope that really manifests for the individuals living under the German or Japanese rule is in the form of a novel called, The Grasshopper Lies Heavy—a banned book depicting a world in which the Axis Powers lose the war.
Photo is a screenshot from my Audible app
Let me start by stating that this review does contain some small spoilers; as hard as I tried to avoid spoiling anything too profound, it was incredibly difficult to discuss this book without exploiting some details. I have such a complicated view on this book which mirrors the complicated feelings I experienced while reading it. I selected this book after I started watching the series on Amazon Prime. The show is gripping despite it’s slow start. The television series has definitely taken some liberties from the novel, but the skeletal foundation is there. The Man in the High Castle takes place in a world where the Axis powers won World War II. It opens in the early 1960’s where half of the United States is under rule of Nazi Germany in the Greater Nazi Reich and the other half is under the influence of Imperial Japan in the Pacific States of America. The story opens with unsettling details through the eyes of a few primary characters—slavery is once again legal, individuals are persecuted based on race and those of Jewish descent are forced to live under new names to survive in secret. The author, Philip K. Dick, takes the reader on a journey through a parallel universe that depicts how our world might be if the U.S. had lost the war. The novel is both terrifying and ingenious. While Dick’s theories and ideas are both strong and dynamic, they tend to drown out the characters and the subplots in the book.
I am not typically drawn to science fiction or dystopian novels. As I mentioned, I picked this book up after I was sucked into the show. However, I was compelled by the exploration of race, alternate realities and destiny/fate. I think I was most struck to see how the world could be if World War II had a different outcome. What I find terrifying is the thought of how easily our world could slip into this type of intolerant, violent society as depicted in The Man in the High Castle. I found it interesting that so many characters in this novel utilize the I Ching to help guide them as they make decisions. The I Ching literally pops up in every plot and subplot of the novel; it is the connection between various characters. More incredibly, however, is the idea that the I Ching allows the reader glimpses into these alternate universes that some of the characters experience. The book gets even more mind blowing with the introduction of The Grasshopper Lies Heavy, which is a book within The Man in the High Castle; The Grasshopper Lies Heavy is a book written by a character named Hawthorne Abendsen. Abendsen’s novel is a refreshing piece of fiction for many of the characters in The Man in the High Castle because it depicts a world where the Axis powers lost World War II; though not quite the world as we know it now, many characters are drawn to the book because it offers a glimmer of hope. Now, here comes a spoiler (sorry!): Abendsen admits to using the I Ching to write The Grasshopper Lies Heavy—implying that there is a truth regarding the outcomes written in it. Because The Grasshopper Lies Heavy ends with some differences compared to our own history, the reader is left wondering if Dick is implying that our real world is also an alternate universe in a sea of possible worlds. If your brain hurts, welcome to the club!
A big glass of Fortress wine to help the brain pain!
As the reader, I did have my issues with the book. While the alternate universe and the connections of fate kept my mind reeling and invested, I felt very little connection to a majority of the characters. I’ve said this before in my reviews, but characterization is a big deal to me as a reader. I enjoyed some of the inner-monologues, like Frank’s or Childen’s, that offered some insight into their perspectives of that world and the shift in culture…but these instances were far and few between. Aside from the fascinating world Dick created, I felt lost and bored during many parts of the book. Perhaps I made the mistake of starting the show first; I was expecting more from the characters and much more action. The novel consists of a lot of “almosts” —there was almost an assassination and there was almost a horrible tragedy in store for an important character. However, a lot of these “almost” things don’t come to fruition. In fact, the ending of the novel, while establishing a profound and thought provoking possibility, is extremely anticlimactic in terms of action and closure.
All in all, The Man in the High Castle consisted of intriguing sub-plots that are introduced and then nicely woven together as the story progresses. The scary world that Dick has created offers a lot of opportunities for the reader to imagine how differently our lives could be…and, arguably, draw parallels to the events occuring in real time. The ideas of alternate realities and fate are well developed and are written philosophically and profoundly. Yet, Dick delivers an underwhelming novel. He fails to cultivate any real connection between the reader and the characters. The lack of action left me wanting more from the story; truthfully, some of the monologues and passages felt mind-numbing and had me itching to put down the book. While the initial glaring presence of exterminations, persecutions and violence were terrifying, the idea of American culture being destroyed and non-existent was incredibly unsettling. I give this book 3.5 out of 5 stars. It is the most demanding book I’ve read—meaning, it required a lot of focus and mental effort to read it, understand it and appreciate/enjoy it. As a book-lover, it pains me to admit that I am enjoying the show far more than I enjoyed the novel (insert Septa Unella following me with her bell saying, “Shame! Shame!”). But, it’s true. I do recommend this book to anyone who enjoys alternate universes, dystopian-type books and profound thoughts on truth and fate. I also recommend giving it a try if you are currently watching, or have interest in watching, the Amazon Prime series. And I highly suggest watching The Man in the High Castle—I have found that the writers and developers of the series have really expanded on the characters, giving them more depth and more meaning. As far as the wine pairing, I suggest anything that contains a high alcohol content, for your brain will surely thank you. Specifically, I recommend Fortress Cabernet Sauvignon 2013, which has a 14.5% alcohol content to help swallow down the atrocities of the Axis alliance. This wine provides a bold, dark and strong flavor that pairs well with the dark and, often, cryptic aspects of The Man in the High Castle. Enjoy!
Rating: 3.5/5 Stars
Wine Pairing: Fortress Cabernet Sauvignon 2013
-
A Secret History of Witches
Title: A Secret History of Witches
Author: Louisa Morgan
Genre: Fiction/Occult Fiction
Published: 2017
Obtained: Barnes & Noble
Spanning five generations, A Secret History of Witches is a tale of witchcraft that is passed down from mother to daughter through the Orchiére family. Beginning in early 19th century in Brittany, the story begins with Grandmére Ursule and her sacrifice for her lineage. Her female descendents continue practicing the craft, with the magic coming to each woman in unique ways. As the world evolves and changes, so changes each generation of witch…and so changes the craft.
I had high hopes for this novel. I selected it as my first fall read, and, quite frankly, the cover is what initially hooked me. Unfortunately, the novel did not live up to my expectations. I found the plot repetitive, a majority of the characters underwhelming and the story itself anti-climatic. Louisa Morgan has a beautiful knack for prose and the seeds of a potentially great story.
Each of the main female characters has their own story within the novel. Therefore, the reader does not experience the entire story within one realm of characters. Each of the women’s stories—Nanette, Ursule, Irene, Morwen and Veronica—seem to follow very similar patterns…at least up until the last daughter, Veronica. It’s a redundant pattern that had me disappointed—for most of these strong, powerful females continually use their magic to hook a man OR use one in order to get pregnant. With such a set up of women where the matriarchy is crucial and capable, they easily bend to the patriarchal ways. Of course, I understand that Morgan is including actual history in regards to how society ran with gender roles, but I was so hoping for something more substantial. I will say that I enjoyed Veronica’s story the most out of all the women, for she uses her craft to help fight the war and to make the world a better place. For me, Veronica is the most astounding female character in the book, for she uses her powers effectively with very little thought for herself. Unfortunately, it wasn’t just the plot that was repetitive, but the themes, as well. Every section reminds the reader that men are oppressive beings who hate what they fear—powerful women.
A majority of the characters were not fulfilling for me as a reader. Immediately, I was drawn to Grandmére Ursele for her strength and mystery. However, as the stories continues, the characters range from dull to frustrating to repulsive (again, with the exception of Veronica). Irene is the worst, in terms of personality. She’s manipulative, selfish and ungrateful. But, I would also argue that it is her story where the book begins to become more tolerable. Irene’s story is unique as she is so vastly different from any of the women in the Orchiére clan up to that point. Due to her repulsive personality, I was able to empathize with her daughter Morwen and the decisions she makes in regards to the craft. However, her story feels cut-short before tumbling into Veronica’s tale. I would like to note that Veronica’s book made me happy that I decided to see the novel to the end.
Morgan’s writing is beautiful in regards to the prose and the turn of phrases. She uses vivid imagery when setting the scene and nailed down personalities to a point. I was hoping for a little more of that descriptive composition when it came to the scenes involving magic…I mean, I was looking for a bewitching, whimsical book here! For me, in the end, it came off a little disenchanting. I truly believe the idea and potential were there for a phenomenal story. In the end, I think the novel’s weakness lies in the redundant cycling of the tales, themes and character choices. I enjoyed the tenderness between various characters, the love and loyalty that flowed through the generations of the women and the ferocity of Veronica’s character. I recommend this book for those that enjoy pretty prose and a hint of fantasy. Overall, I give this book 2/5 stars.
Though I was sick for the second half of the novel and primarily stuck to hot tea, I enjoyed Carnivor Cabernet Sauvignon while reading the first half of A Secret History of Witches. This wine has earthy undertones of berries, coffee and toasted oak which, for me, paired well with the earthy, rustic tones of the novel. The characters are typically dabbling in potions or mixing simples that reminded me of the flavors of this wine.
Rating: 2/5
Wine: Carnivor Cabernet Sauvignon
Snag your own copy of A Secret History of Witches: Barnes & Noble or Amazon